In Dancing with Death, Pichet Klunchun explores the intersection of life and death through Thai contemporary dance. Inspired by Thai folk festivals, this performance blends classical Thai dance with intuitive, fluid movements that celebrate the cyclical nature of existence.
In Nay Nai, Pichet Klunchun reimagines the quest for power and prestige in early 20th century Siam through a high-energy dance performance styled like a reality TV competition. Blending Thai classical and contemporary dance, this piece offers a fresh take on history.
In Tam Kai (Following the Chicken), Thai choreographer Pichet Klunchun challenges dancers to respond in real-time to the masterful ranad ek music by Boonyoung Katkong. The result is an unpredictable, improvisational dance performance that redefines Thai dance.
In Black and White, Thai choreographer Pichet Klunchun draws on the Ramayana to portray the eternal struggle between good and evil. Blending Khon with contemporary movement, live Chinese guqin by Wu Na, and lighting by Japan’s Miura Asako, this powerful piece redefines Thai classical dance.
Nijinsky Siam, a stunning tribute by Thai dancer Pichet Klunchun as he resurrects Nijinsky’s lost solo Danse Siamoise—blending archival research, Thai classical dance, nang yai puppets, and Orientalist histories into a powerful reimagining.
No.60 Workshop by Pichet Klunchun Dance Company invites you to explore your body through a unique “movement diagram,” developed from 59 foundational Thai dance poses—designed for dancers and non-dancers alike to discover a new understanding of movement.
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Tas Chongchadklang is a dancer at PKDC with a background in Khon (Thai classical masked dance). He has toured internationally with Cyber Subin, No.60, and Black and White.
Padung Jumpan is a core dancer at PKDC, known for blending Thai classical movement with contemporary performance. He has performed internationally in works like Cyber Subin, Dancing with Death, and Tam Kai.
Kanpong Thaweesuk is the manager of PKDC. With a background in intercultural studies and a passion for cultural policy, he brings a human-centered approach to supporting Thai contemporary dance and developing projects like MALI Bucha: Dance Offering.
