In Tam Kai (Following the Chicken), Thai choreographer Pichet Klunchun challenges dancers to respond in real-time to the masterful ranad ek music by Boonyoung Katkong. The result is an unpredictable, improvisational dance performance that redefines Thai dance.
In Black and White, Thai choreographer Pichet Klunchun draws on the Ramayana to portray the eternal struggle between good and evil. Blending Khon with contemporary movement, live Chinese guqin by Wu Na, and lighting by Japan’s Miura Asako, this powerful piece redefines Thai classical dance.
Nijinsky Siam, a stunning tribute by Thai dancer Pichet Klunchun as he resurrects Nijinsky’s lost solo Danse Siamoise—blending archival research, Thai classical dance, nang yai puppets, and Orientalist histories into a powerful reimagining.
No.60 Workshop by Pichet Klunchun Dance Company invites you to explore your body through a unique “movement diagram,” developed from 59 foundational Thai dance poses—designed for dancers and non-dancers alike to discover a new understanding of movement.
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Tas Chongchadklang is a dancer at PKDC with a background in Khon (Thai classical masked dance). He has toured internationally with Cyber Subin, No.60, and Black and White.
Padung Jumpan is a core dancer at PKDC, known for blending Thai classical movement with contemporary performance. He has performed internationally in works like Cyber Subin, Dancing with Death, and Tam Kai.
Kanpong Thaweesuk is the manager of PKDC. With a background in intercultural studies and a passion for cultural policy, he brings a human-centered approach to supporting Thai contemporary dance and developing projects like MALI Bucha: Dance Offering.
Julaluck Eakwattanapun is a contemporary choreographer and advisor at PKDC. Her practice merges academic research with experimental dance, co-creation, and new methodologies for teaching Thai classical movement in modern contexts.
Kornkarn Rungsawang is a dancer and artistic secretary at PKDC. Trained in traditional Thai dance, she blends heritage with innovation in both performance and creation—most notably in her solo work Mali Bucha: Dance Offering, which has toured across Asia and Europe.
