Production

In Bird, Pichet Klunchun and WHS Finland present a powerful dance performance exploring freedom, confinement, and cultural identity through the metaphor of birds. Audiences are invited to reflect on who is truly inside the cage.

In Cyber Subin, Pichet Klunchun and MIT scientist Pat Pataranutaporn reimagine Thai dance through AI and cybernetics, exploring the intersection of tradition, technology, and human creativity.

In Mali Bucha: Dance Offering, Kornkarn Rungsawang merges Thai traditional dance with augmented and virtual reality, creating an immersive experience where audience members send wishes to a digital shrine through dance.

In No.60, Pichet Klunchun transforms Thai Khon dance through six new principles derived from decades of research. This contemporary performance redefines Khon as a knowledge system, balancing tradition and innovation.

In Dancing with Death, Pichet Klunchun explores the intersection of life and death through Thai contemporary dance. Inspired by Thai folk festivals, this performance blends classical Thai dance with intuitive, fluid movements that celebrate the cyclical nature of existence.

In Nay Nai, Pichet Klunchun reimagines the quest for power and prestige in early 20th century Siam through a high-energy dance performance styled like a reality TV competition. Blending Thai classical and contemporary dance, this piece offers a fresh take on history.

In Tam Kai (Following the Chicken), Thai choreographer Pichet Klunchun challenges dancers to respond in real-time to the masterful ranad ek music by Boonyoung Katkong. The result is an unpredictable, improvisational dance performance that redefines Thai dance.

In Black and White, Thai choreographer Pichet Klunchun draws on the Ramayana to portray the eternal struggle between good and evil. Blending Khon with contemporary movement, live Chinese guqin by Wu Na, and lighting by Japan’s Miura Asako, this powerful piece redefines Thai classical dance.

Nijinsky Siam, a stunning tribute by Thai dancer Pichet Klunchun as he resurrects Nijinsky’s lost solo Danse Siamoise—blending archival research, Thai classical dance, nang yai puppets, and Orientalist histories into a powerful reimagining.